Witching Hour: A Review of Agatha All Along
Marvel’s move into streaming has had mixed results, so expectations going into Agatha: All Along were low. Secret Invasion is widely considered one of Marvel’s worst shows, and Echo didn’t fare much better, though it had some interesting ideas. Loki was a stroke of creative genius, transforming a villain into a complex protagonist, while What If retold familiar stories with new twists. She-Hulk offered tongue-in-cheek fun without taking itself too seriously. Ms. Marvel was a lighthearted, humorous addition, and Moon Knight was a refreshing take on mental health and inner struggle. Hawkeye balanced its serious and fun moments well, while The Falcon and the Winter Soldier brought a buddy-cop vibe but faltered with a lackluster plot. WandaVision kicked off Marvel’s Disney+ era with a spark of creativity that, outside of Loki, Moon Knight, and What If, has mostly been unmatched.
WandaVision was a burst of creativity, and Agatha: All Along is a spin-off that builds on this success. Both remind me of what Marvel can achieve when it’s focused on telling good stories. Agatha: All Along taps into what made WandaVision feel so fresh but goes in a more traditional direction while keeping its unique spin. Where WandaVision explored a new sitcom style in each episode, Agatha takes a similar approach but doesn’t center on it as much, achieving a pace that feels just right. The show picks up after WandaVision and Doctor Strange in the Multiverse of Madness, so there’ll be light spoilers for both.
Marvel has lost its shine recently, struggling to recreate the highs of Avengers: Endgame, and many recent projects missed the mark. But I’m happy to say Agatha: All Along nails it. If you haven’t watched WandaVision, go check it out—it’s solid TV. WandaVision tells a self-contained story arc, so you don’t need to follow the whole Marvel Cinematic Universe to enjoy it.
Kathryn Hahn stars as Agatha Harkness, and she’s absolutely perfect in the role. Agatha is a centuries-old witch who’s spent ages studying magic and is deeply curious about the source of Wanda’s powers. She finds out that Wanda is the Scarlet Witch, a wielder of chaos magic. The Mind Stone only boosted Wanda’s natural powers, which Agatha explores further in Wanda’s world of magic. So, Agatha: All Along feels like a natural continuation of Wanda’s story following Multiverse of Madness.
The show opens after these events, though I’ll keep it light on spoilers. The great thing is, you don’t really need to know all of this to enjoy Agatha. It’s a stand-alone story that doesn’t require much backstory. Everything’s laid out in the first episode, so even if you’re not caught up, it doesn’t matter.
What unfolds is a story about witches, magic, and a quest.
Agatha wants her powers back after Wanda took them. A mysterious teen releases Agatha from the hex that trapped her in Westview at the end of WandaVision. He wants to journey down the Witches’ Road, a series of trials that will grant any witch her deepest desire. The teen’s true identity is hidden by a magical spell, adding intrigue to the story. Agatha begins gathering a coven of witches, each with unique skills, and after singing Down the Witches’ Road, the path opens. But Agatha’s enemies are hot on her trail, eager to eliminate the weakened witch. The show cleverly weaves in foreshadowing and hidden details that are easy to miss at first glance. For example, episode titles are lyrics from the Witches’ Road ballad, a touch that might go unnoticed but adds rewarding layers for observant viewers.
The series is filled with references to witchcraft, and “Death’s Hand in Mine” stands out as the single best episode Marvel has released on Disney Plus. It all works thanks to the breadcrumbs, top-tier writing, and spot-on direction. Patti LuPone’s performance as Lilia is a masterclass and some of her best work to date—she delivers an unforgettable portrayal that truly elevates the series. The ending wraps things up beautifully, giving a satisfying close to a truly compelling bit of storytelling.
The finale reveals the teen’s identity and dives into Agatha’s tragic, complex character arc. She’s evolved from villain to a morally grey, deeply nuanced character, and by the end, you can’t help but root for her. Her backstory here feels rich and compelling, and her shifting motivations add layers to her struggle. Her evolving relationship with the teen character adds to the drama and emotional depth of her journey.
It turns out the teen is far more than he seems, adding a teacher-student dynamic that drives the plot forward. He’s essential to Agatha’s journey, not just a plot device, but a character in his own right who adds purpose and momentum to the story. Earlier ideas unfold into a larger, more complex story that ties everything together in a satisfying way. While the open-ended finale leaves room for a second season, it also strengthens Agatha’s character arc by keeping her journey ambiguous. The ending adds weight without compromising the fun, setting the stage for future possibilities in Vision Quest or other spin-offs.
Overall, Agatha: All Along is worth watching, both for newcomers and WandaVision fans alike. The main drawback is the likely wait between this show and its next installment. With Vision Quest slated for 2026, it’s unclear how it will connect to Agatha: All Along. A possible sequel focusing on the Teen character would make sense, but there’s no confirmation of it in production yet—only rumors of early development. Marvel’s patchwork approach to TV and movies often leads to a lack of cohesion, with writers working in silos rather than a unified plan. However, I can’t fault this when the storytelling stands on its own. Agatha hints at Marvel’s ambition to move past the multiverse arc, laying the groundwork for a new chapter, and in doing so, delivers a refreshing, memorable story.