My Top 10 James Bond Theme Songs
“James Bond Theme” – Monty Norman and John Barry (1962)
The James Bond Theme is based on an earlier melody Monty Norman composed for a play, originally inspired by Bad Sign, Good Sign. Despite legal battles over its authorship, Norman’s creation became one of cinema’s most recognisable pieces, while John Barry’s orchestration gave it the unmistakable brassy punch that we now associate with Bond. This theme laid the foundation for the franchise’s musical legacy.
“Goldfinger” – Shirley Bassey (1964)
Shirley Bassey’s soaring vocals made Goldfinger an instant classic. Despite technical challenges during its recording and producer Harry Saltzman’s dislike of the track, it was released unchanged. The result is one of the most iconic Bond themes, embodying the franchise’s glamour and intrigue. For many, it remains the defining Bond song.
“On Her Majesty’s Secret Service” – John Barry (1969)
This instrumental theme introduced a synthesiser to Bond’s world, marrying futuristic sounds with Barry’s signature orchestral grandeur. Often overlooked, it is a dynamic piece that stands out in the series for its boldness and innovation. Its brassy, pulsating energy mirrors the film’s tension and style, earning its place as a standout.
“Live and Let Die” – Paul McCartney and Wings (1973)
Paul McCartney and Linda McCartney created the first rock-inspired Bond theme. Its fusion of orchestral drama, reggae interludes, and explosive rock gave the franchise a fresh edge. Paul insisted on performing the song himself, fending off suggestions that another artist should sing it. The result is a thrilling, genre-blending masterpiece that redefined Bond’s soundscape.
“For Your Eyes Only” – Sheena Easton (1981)
Sheena Easton made history as the first performer to appear in the opening credits of a Bond film. The romantic ballad reflects the emotional undercurrents of the film, while Bill Conti’s score perfectly complements her tender performance. Interestingly, Blondie had also penned a theme for the film, but producers chose Easton’s version, which aligned more closely with Bond’s aesthetic.
“The Living Daylights” – a-ha (1987)
a-ha’s The Living Daylights merges the synth-pop energy of the ’80s with Bond’s signature orchestral elements. Despite reported creative tensions between the band and John Barry, the track’s electric vibrancy remains a highlight. It encapsulates Timothy Dalton’s gritty take on Bond while nodding to the franchise’s evolving identity.
“GoldenEye” – Tina Turner (1995)
Written by Bono and The Edge of U2, GoldenEye balances modernity with Bond’s classic flair. Tina Turner’s sultry, powerful vocals pay homage to the grandeur of earlier themes while ushering in a new era for the series. Its cryptic lyrics and dramatic arrangement complement Pierce Brosnan’s debut perfectly.
“The World Is Not Enough” – Garbage (1999)
Garbage delivered a unique take with this alternative rock-inspired theme. Shirley Manson’s haunting vocals and the song’s orchestral flourishes evoke the Bond mystique while exploring a darker tone. The lyrics, written from the villain’s perspective, provide a compelling twist that enriches the film’s narrative.
“Skyfall” – Adele (2012)
Adele’s Skyfall channels the essence of classic Bond themes while infusing a modern sensibility. Her insistence on reading the script to align the lyrics with Bond’s journey paid off, creating a track that is as poignant as it is grand. This song marked a triumphant return to form for Bond, winning an Academy Award for Best Original Song—the first Bond theme to do so.
“No Time to Die” – Billie Eilish (2021)
At just 17, Billie Eilish became the youngest artist to record a Bond theme. Written with her brother Finneas, the track captures the sombre tone of Daniel Craig’s final outing as 007. Its understated melody and haunting lyrics reflect Bond’s emotional struggles, serving as a fitting farewell to Craig’s era.
Honourable Mentions and Misses
Some Bond themes, like We Have All the Time in the World by Louis Armstrong, hold a special place for their emotional resonance, while others, such as Madonna’s Die Another Day, feel experimental to a fault. While Die Another Day embraced electronic influences, its heavy use of autotune and techno I don’t enjoy.
For me, instrumental pieces like On Her Majesty’s Secret Service stand out for their innovative blending of tradition and modernity. Tracks like GoldenEye successfully merge past and present, capturing both the nostalgia of Bond and the excitement of reinvention.
My Favourite Theme Song
Choosing a favourite Bond song is no easy task, but for me, Skyfall takes the crown. Adele masterfully captures the essence of Bond, making the song personal and deeply tied to the character’s journey. Winning an Academy Award cemented its legacy, and it set a trend for the franchise, leading to two more Oscar-winning themes. For its emotional depth, cinematic scale, and unforgettable delivery, Skyfall remains unparalleled.