Polling and the Weather Forecast: A Lesson in Uncertainty

Polling and the Weather Forecast: A Lesson in Uncertainty

Polling is like the weather forecast: it offers a range of outcomes. It may seem unlikely to rain where you are, but it’s still possible, just as somewhere nearby could stay completely dry. Polling models work the same way, providing a range of possibilities, with the most likely outcome somewhere in the middle. However, journalists often don’t report or explain this range, and some polling companies don’t fully address it either.

When the herd (the electorate) moves, it usually moves together—yet occasionally, it splinters, adding layers of uncertainty. This unpredictability is what allows people to sometimes defy the odds and come out on top. The margin of error means the actual result could land on either side of the median outcome or even on the outer edges of what’s possible. Think of it as science fiction: in The Hitchhiker’s Guide to the Galaxy, when travelling across space, you might theoretically turn into an apple. Highly unlikely, but technically possible!

What Do the Current US Election Models Tell Us?

So, how does this translate to the current U.S. election landscape?

The current model from FiveThirtyEight has Harris at 268 electoral votes and Trump at 270. Just a few days ago, it was the other way around. It’s a remarkably close race, one we haven’t seen for decades. In practice, this means the herd is taking different paths, with some states following separate trajectories from others. Why? This could be due to local issues or unique demographics at play, which are often difficult to model accurately.

Certain demographic and local factors influence swing states differently, adding complexity to polling models. For example, Arizona’s growing Latino voter base leans conservative in some areas, potentially benefiting Trump. Meanwhile, Pennsylvania’s situation is unique, with its declining manufacturing jobs and large Arab population possibly making it more competitive. In other states, recent events or changing demographics play a big role; a hurricane’s impact on voters or a high Black population could sway support towards Harris, especially given her profile as a Black female candidate. Each of these factors highlights why swing states can defy broader polling expectations and swing differently depending on local issues.

The Swing State Landscape and Possible Outcomes

Based on current numbers, swing states could align—or they might diverge entirely. Swing voters typically follow similar trends, but today’s models suggest they’re all over the place. The final result could be a landslide, a narrow victory, or a razor-thin margin. The most unlikely outcome is a tie, which would be decided by Congress. The only time this happened was in 1800, between Thomas Jefferson and Aaron Burr.

In practical terms, we could see anything between 320 and 270 electoral votes for either side, making predictions a toss-up due to how close it is. And despite the possible range of outcomes, most commentary doesn’t explore these diverse possibilities in-depth, though they should.

Swing states, which often switch between the two main parties, are pivotal in deciding elections. These states can shift as demographics evolve—much like music tastes changing over time. Currently, there are seven key swing states: Arizona, Georgia, Michigan, Pennsylvania, Wisconsin, North Carolina, and Nevada. Pennsylvania holds the biggest prize in terms of electoral college votes, which is why it’s often rated the most crucial.

At the moment, Harris has more paths to the White House than Trump. In fact, nine out of twenty-one possible routes for Harris don’t require Pennsylvania, whereas only five out of twenty-one for Trump don’t need Pennsylvania. Care to guess the tipping point state?

Current polls suggest a 51-56% chance of Trump winning and a 49-45% chance for Harris. This modelling assumes only seven states are in play. I’d say Harris has the advantage based on the seven swing states, yet betting on either side winning is difficult due to the close margins. The only thing we know for certain is that results may not be known for days if trends follow recent averages. The final outcome will either take one candidate to the White House or the jailhouse—but we’re likely heading to the courtroom first.

In a race this close, every voice truly counts. So, whatever the forecast, cast your vote—because, in the end, even a small shift in the herd can tip the balance.

America and British politics what the differences?

America and British politics what the differences?

American politics feels rather alien to me, with extreme levels of partisanship. Cooperation is dying, replaced by a desire to vote only along party lines. Why is that? I’ll come back to that later. The total control of two parties over the political system makes it nearly impossible for anyone else to break in. Political appointments cover every level of the executive, including the courts. The Supreme Court now has a Christian conservative supermajority, and courts overall lean conservative, shaping the justice system in profound ways. Not only that, but the parties also control the writing of election rules and, by design, make it difficult for anyone outside the two main parties to get on the ballot. This level of control lets them game the system in their favour, using gerrymandering to manipulate district boundaries. It’s all about packing voters who don’t support you into one district while splitting others to maximise your own chances. Urban and city areas, which should have more representation due to larger populations, are ignored. As a result, more attention is given to the small minority who could deselect you rather than the loyal base who will vote for you anyway.

Given the size of America, the amount of money spent on election cycles is staggering. Both Harris and Trump combined are projected to spend somewhere around $15.9 billion. Then there’s the religious influence, which holds considerable power in what’s supposed to be a secular country. Christian conservatives on the Supreme Court are pushing their ideological views, particularly on issues like abortion. Christian nationalism has gone mainstream on the right side of American politics. Some are pushing to change that, linking the church to the state and dismantling the secular order. Briefly, these are some of the things that make the system feel strange and distant to me.

Compared to British politics, while the two main parties hold sway, it’s not total control. The number of voters with strong partisan views is declining rapidly. Cooperation still exists, even in a winner-takes-all system, and people don’t always vote along party lines. Other parties have a real shot—currently, the UK has four major political parties. The last election saw a range of parties perform well across the country. There are far fewer barriers stopping new parties or individuals from standing. In the last hundred years, we’ve gone from two major parties to three, then four, and arguably five if you count certain regional parties. You could even say we have five and a half major players now. These include the Conservatives, Labour, Liberal Democrats, Reform, and the Greens, plus regional parties like the SNP and Plaid Cymru. The last two are nationalist parties with significant regional influence. After the 2024 election, independent candidates have risen due to the cynicism embedded in politics. While smaller parties still struggle with funding, local campaigns have been successful.

The newest party on the block runs in as many constituencies as possible to maximise funding and target winnable seats. Speaking of funding, the UK has strict limits—you can only spend around £34 million ($44 million). Political appointments are often cross-party, and the courts maintain their independence. Privately educated individuals do make up the majority in certain professions like the courts or media. Certain areas remain separate from the executive altogether. When it comes to writing the rules for elections, parties actually talk to each other and reach an agreement. And on that note, electoral boundaries are out of politicians’ hands, managed by independent bodies. Boundaries are based on population size and are equalised across the board.

We Brits have a sense of fair play, though I’ll admit there have been recent attempts to undermine that, with tactics like voter ID. Voters will remember rule-breaking and breaching that spirit of fair play. As for religious influence, the only real presence left is in the House of Lords, and even that’s weakening. Some on the right have tried to push a Christian viewpoint, but that largely goes against public opinion. The UK is largely secular these days, with the number of people identifying with religion in steady decline. Bishops in the Lords act as a moral voice, but in practice, they don’t have enough votes to swing decisions.

We may share the same language (sort of), but the differences in how we approach politics even show in how we run elections. In the US, elections seem like an unending cycle. Campaigning starts years in advance, dominating political life. Debates, attack ads, constant rallies, and endless streams of fundraising—it’s like a political marathon that never ends. In contrast, here in the UK, elections are much more condensed and far less consuming. Campaigns last about six weeks from the moment Parliament is dissolved to election day. None of this dragging it out for two years or more. It’s a sprint, not a marathon, and frankly, I think most of us prefer it that way.

And then there’s how we count votes. In the US, it’s like a patchwork quilt—some states use electronic voting, others rely on paper ballots, and each state seems to have its own rules on how and when to count them. Here, it’s much simpler. Everyone follows the same rules: paper ballots, counted on the night, with results typically announced by the next morning. None of this drawn-out waiting, recounts, or legal battles that drag on for weeks. We’ve streamlined it to the point that the system, while not flawless, works efficiently. Results are declared on the night, with no provisional votes hanging over our heads for days.

There’s even a sense of theatre when it comes to declaring results. Unlike in the US, where numbers trickle in and results are announced gradually, here, all the candidates stand together on stage as the result is read out. It makes for some pretty unforgettable moments in British political history—triumph and defeat all wrapped up in a single scene. You’d be hard-pressed to find an American election night with quite that much drama in one room.

I know one American friend will be reading this and spilling their coffee! But honestly, the differences are staggering. Small, minor differences add up pretty quickly to a completely different climate. That leaves us with two final differences: first, the timing of elections in the UK is in the hands of the prime minister, compared to the US presidential election being locked in place and unable to be changed. The final point is how centralised the UK system is—local government is far weaker compared to America. They lack the ability to raise revenue and so many other powers. In America, even cities can borrow money and raise taxes. After decades of weak local government, this is slowly starting to change in the UK.

So why did I write this blog? Well, I wanted to expand on a conversation I had with a friend and reflect on the nuanced differences between both systems. Often, these differences are missing in American and British media analysis. It comes from a point of view that ignores the contrasts, trying to make the systems mirror images of one another. That’s what I would consider lazy journalism and uninformed. Like in America, it’s still a rich man’s game in politics, but we’re just less flashy with the cash.

US presidential election 2024

US Presidential Election 2024

The US presidential election is only 17 days away. Polls show the race is neck and neck, but it could go either way within the margin of error. It’s shaping up to be one of the closest elections in history, with just seven swing states — the lowest number in recent memory — determining the outcome.

Arizona, Georgia, Michigan, Nevada, North Carolina, Pennsylvania, and Wisconsin.

AZ, GA, and NC lean towards Republicans, while MN, NV, PA, and WI lean towards Democrats.

America is deeply polarised between the two major parties, which hold an unbreakable majority. The result has been a dysfunctional executive, with Congress deadlocked and unable to fulfil its role. Other parts of the executive branch have become increasingly important.

Why is the race so close?

The aftereffects of the COVID pandemic have made Biden unpopular. The economic impact has resulted in higher inflation due to pent-up demand, and the Federal Reserve’s response has been to raise interest rates in an effort to curb inflation. Money given to people during the pandemic helped boost demand, further driving inflation. The economy was booming, with employment near record highs, when these factors began to take effect.

Biden has become unpopular due to the rise in inflation and interest rates, both of which are being blamed on him. Harris, as his vice president, is also being held accountable. She is positioning herself as the candidate for change, and with good reason. Trump, on the other hand, is benefiting from voters’ frustration and anger. However, he faces challenges regarding his age, his felony charges, and his continued claims that the 2020 election was stolen. His behaviour and mental capacity are causing him difficulties when compared to a much younger Harris.

In the background, demographic changes across various states are having an impact. People are moving to red states and turning them blue, and the opposite is happening elsewhere. Certain ethnic groups of voters have shifted their voting patterns. These small changes in polarised American politics are enough to create significant waves. It’s worth briefly noting that polarised politics means less crossover voting, which causes huge problems for control of the Senate and Congress, especially when combined with gerrymandering to favour one party. Who controls the executive at state levels has become hugely significant. The result is that American politics has become deeply dysfunctional, and major problems remain unsolved. As it stands right now, the race is too close to call.

Prepare for the worst, hope for the best. So far, Europe and the rest of the world are not preparing, instead choosing to ignore the situation. A few of Trump’s comments should be raising alarm bells, particularly his unwillingness to commit to defending NATO countries — a serious concern. European security is at genuine risk, and that’s just the beginning of the problems. His comments about starting a trade war with Europe should be ringing alarm bells as well. Everything he’s been saying should be cause for concern. Not just concern but making him unfit to be president.

The world waits for the outcome of the November election, and the result will be historic: the first female Black president or a felon entering the White House.

Joker – Arthur Fleck story

Small disclaimer: I haven’t seen Joker or its newly released sequel. However, the sequel has garnered mixed reviews so far. From what I understand, the first film focuses on a character who adopts a Joker-like persona—a mentally ill individual who transforms and commits violent, shocking acts. This is odd because the film is called Joker but isn’t actually about the Joker. The character is inspired by the Joker, even borrowing some of his iconic look. It was a fresh take on the character, but only in name; unlike the comic book Joker, Arthur Fleck never aspired to be the “Prince of Crime.” Though I haven’t watched it, this is the impression I have of the first movie. Todd Phillips’ grounded vision of Gotham, much like Christopher Nolan’s Dark Knight trilogy, offers a more realistic take on the mythos. Just to be clear, it’s called Joker, but it’s not about the Joker, even though it borrows from the source material.

Maybe that’s why it should have had a different title—something more reflective of its intent, rather than evoking expectations of a traditional comic book film.

I never had any desire to see Joker or Joker: Folie à Deux. So, what changed my mind? The answer is the negative reaction to the sequel—it made me curious. Reports of people walking out during screenings caught my attention. How could a film that made $1 billion have a sequel that fails to match that? People have told me the movie is bad, which only piques my curiosity further. Based on what I know of the plot, it seems to be a darker, more sombre film than the original. The first movie was an action-packed drama-thriller, while this one is described as a musical courtroom thriller. Dealing with the consequences of the first film is something rarely seen in movies these days. I can see why this might divide audiences, especially those expecting a conventional, action-packed Joker. That choice is also part of the reason I want to see it—it seems like a very bold move from conservative Hollywood. The marketing seems to completely avoid highlighting that shift in tone.

Before I watch Joker: Folie à Deux, I need to watch Joker—the film that looks like him but isn’t really about him.

Joker Review

At its core, the film is rather unpleasant to watch—it’s about witnessing terrible things happen and watching a man spiral into decline. Arthur always seems just one breakdown away from doing something truly dangerous. We soon get a glimpse into his mental health issues, and it’s clear that the support he’s given isn’t nearly enough for what he needs. Everything he does feels like a performance—smiling and laughing to mask the pain. The violence in this movie feels personal, and you can’t help but feel bad for everyone involved. Joaquin Phoenix is outstanding in this role, not just following the script but embodying the character fully. His facial expressions change on the fly, giving off an air of menace followed by moments of guilt, which makes his performance deeply unsettling yet captivating. Anybody who has struggled with mental health issues can see part of themselves in Arthur. That’s what makes it so compelling. Compared to other DC comic movies, this is far lighter on action, focusing more on the drama. Each action has consequences, slowly leading to his further decline and drift into insanity. Everything that happens adds up. The film takes on a much darker tone, shifting from portraying a somewhat sympathetic character to a more menacing one. Yet you can still sense that Arthur exists underneath it all, which makes it even more chilling.

Unwittingly, Arthur becomes the Joker, making this a Joker origin story that’s not really about the Joker but uses his image. Yes, that includes the Batman origin story, linking him to the Joker indirectly by influencing the events that lead to the death of Bruce Wayne’s parents. To me, it’s obvious that Arthur never wanted to be the Joker. Society as a whole helped create and give him that name. I don’t quite buy the idea that this movie isn’t about the Joker when it borrows so much from the source material. It’s a refreshing, self-contained story that works, but it doesn’t leave much room for a follow-up. I’m not sure what to think about it—how do you continue Arthur’s story? Arthur in prison, perhaps? Do you fully make him the Joker, or do you continue his long drift towards becoming the Joker? Sorry—not the Joker, but someone who looks more and more like the Joker. Maybe they could take a different route, like exploring Harley Quinn treating Arthur, only to descend into insanity herself.

Joker: Folie à Deux

Before watching it, what intrigued me was the shift in genre to a musical thriller, reflecting Arthur’s ongoing struggle with trauma. If you watch Joker, you’ll notice that Arthur is a performance- and theatre-driven character who wants to be a comedian. So, it’s not a stretch to shift the focus towards a more musical element. While I’m unsure if “eccentric” is the right word to describe him, his tragic, shock humour remains central to his character.

My expectations going in were pretty low, but I think it’s a far stronger movie than the first. The musical set pieces replace any action scenes, breaking up the film and adding a much lighter tone to an otherwise dark movie. However, anyone describing this as a full-on musical is misrepresenting it—the musical sections are a small part of the film. For Arthur, it feels like he’s constantly on stage, with the singing and dancing serving as performances to shield himself. He’s not a singer, and that’s deliberate—his eccentricity shines through as he clings to this tragic, self-imposed role.

Some might argue that this film doesn’t progress his character much, but it’s clear he’s still resisting fully becoming the Joker. The institutional abuse he endures is implied rather than shown, but he suffers more from the consequences of his own actions. Yet, he never fully becomes the monster people expect. Instead, he offers a performance when things get tough. Some of the most powerful scenes are those where you see Arthur’s vulnerability; he’s just a scared man, and the film often feels like he’s being dragged along by forces beyond his control.

The pacing is much stronger in this movie. It feels like Arthur’s dream about being in prison, with the musical sections representing his fantasy escape. His character arc makes sense, and by the end, he finally seems to regain control, only for it to be taken away again. If you watch closely, the entire film hints at this—foreshadowing the ending multiple times, which is why I think it’s a dream. Lee’s character, waking up from the same dream, is a truly painful moment, and it explains the title perfectly. I’m not sure if Lee is meant to be a metaphor for the audience, but it certainly feels that way.

This isn’t a bad movie—in fact, I think it’s far better overall than the first. That might be an unpopular opinion, but it feels more cohesive and enjoyable. The challenge of expanding such a self-contained story is significant, but Folie à Deux manages to do it well.

Conclusion

Overall, I enjoyed Joker: Folie à Deux far more than the first film. While it was never going to appeal to mainstream comic book fans, the original’s success still baffles me. This sequel feels more like a continuation of Arthur’s story—a fitting conclusion to his character arc—rather than a typical sequel. The film defies expectations in many ways, from its musical elements to its avoidance of traditional fan service. Even though I’m still puzzled by the decision to call this series Joker when it feels so different from the comic book character, the direction Todd Phillips takes makes sense within this unique vision of Gotham and Arthur Fleck. It may not satisfy everyone, but as a character study and a bold cinematic experiment, Folie à Deux stands out as a compelling and well-crafted follow-up.

Poem: Autumn leaves

Green trees are turning into golden brown

New look for a new season

Leaves are slowly falling to the ground

Gentle wind breaks the fall

Leaves are dancing in the wind to the sound of autumn

Birds singing their last song, leaving to warmer lands

Gentle breeze with the light sound of rain

Wet autumn turning to the sound of crunching leaves

School children marching back to the classroom

Winter is coming, but first, the autumn dance of leaves

Days growing darker and longer, colder and winds stronger

Atric winds stripping the trees of it leaves 

Before the colour fades, evergreens still green everything else returning in spring